Sean Gurd

Professor of Classical Studies
108 Swallow Hall
Research Interests

Greek and Roman Music, Greek Drama, Media Theory and History

Bio

Sean Gurd works at the intersection of aesthetics, media studies, and classical philology, with a special interest in music and sound culture. He is the author of three monographs: Iphigenias at Aulis: Textual Multiplicity, Radical Philology (Cornell University Press, 2006); Work in Progress: Literary Revision as Social Performance in Ancient Rome (Oxford University Press, 2012), and Dissonance: Auditory Aesthetics in Ancient Greece (Fordham University Press, 2016), and the editor of Philology and its Histories (Ohio State University Press, 2010).

His current work includes a book about Plato and early Greek music theory (under contract with Bloomsbury; due to be delivered August 1, 2018), a volume on the cultural history of music in Antiquity, co-edited with Pauline LeVen (Bloomsbury), and articles on classical literature in contemporary poetry and music.

In addition to his regular teaching and supervising responsibilities, in 2018 he will be lecturing at Yale, Rice, the Claremont Colleges, The MOISA seminar on ancient music (Riva del Garda, Italy), and Heidelberg University. He is co-ordinating a conference on distributed authorship, to be held in October 2018 at UCLA with Francesca Martelli.

Courses Taught

Origins of Music in the Ancient World (CL_HUM 2500)

Classics in a Cross-Cultural Context (CL_HUM 3750)

The Classical Avant-Garde (CL_HUM 7250)

Select Publications

Books:

Sean Gurd, ed. With Pauline LeVen (Yale). Cultural History of Music: Antiquity (London: Bloomsbury, forthcoming)

Sean Gurd: Plato and the Origins of Music Theory. (London: Bloomsbury, forthcoming.)

Sean Gurd, Dissonance. Ancient Greek Sound Culture. (New York: Fordham University Press, 2016) (Idiom: Inventing Writing Theory, ed. P. North and J. Lezra).

Sean Gurd, trans. Euripides, Hippolytus. The Hague: uitgevrij, 2012.

Sean Gurd, Work in Progress: Literary Revision in Classical Antiquity. (New York: Oxford University Press, 2012).

Sean Gurd, ed. Philology and its Histories. (Columbus, OH: Ohio State University Press, 2010).

Sean Alexander Gurd, Iphigenias at Aulis: Textual Multiplicity, Radical Philology (Ithaca: Cornell University Press, 2005)

Articles:

Sean Gurd, “David Melnick’s Men in Aïda,Classical Receptions Journal 8 (2016): 295-316.

Sean Gurd, “Resonance: Aeschylus’ Persae and the Poetics of Sound,” in New Approaches to Greek Tragedy, edited by James Collins and Ric Rader Ramus 42 (2013): 122-137.

Sean Gurd, “Verres and the Scene of Rewriting,” Phoenix 64.1-2 (2010): 80-101

Sean Gurd, “Meaning and Material Presence: The Epigrams on Timomachus’ Unfinished Medea,” Transactions of the American Philological Association 137 (2007): 305-331.

Sean Gurd, “Richard Bentley’s Radical Philology,” Classical and Modern Literature 26 (2007): 1-20.

Sean A. Gurd, “Cicero and Revision, 61-46 BCE” Classical Antiquity 26 (2007): 49-80.

Sean Gurd, “On Text-Critical Melancholy” Representations 88 (2004): 81-101.

Sean Gurd, “Aeschylus Terrorist,” in Writing and Terror, special issue of Journal of Human Rights 3.1 (2003) ed. Sean Gurd and Julija Sukys, 99-114.

Sean Gurd, “Three Silences.” Literary Research/Recherche Littéraire 33 (2000) 58-73

Sean Gurd, “Two Fragments on Gates: Certain Anachronisms.” Canadian Review of Comparative Literature 29 (1998) 174-186

Book Chapters:

Sean Gurd, “Language, Poetry, and Rhetoric” in The Cultural History of Ideas in Antiquity (800 BC 400AD), ed. T. Habinek. London: Bloomsbury, in press.

Sean Gurd, “Craft, practice, and revision; ancient models of composition,” in the Oxford Handbook of Literary Theory and Criticism, ed. J. Connolly and N. Worman. New York: Oxford University Press. Forthcoming.

Sean Gurd, “Revision in Greek and Latin Literature,” Oxford Classical Dictionary, 4th edition, ed. Sander Goldberg and Tim Whitmarsh. Forthcoming (final copy submitted Nov. 5 2016)

Sean Gurd, “Auditory Philology,” in Sound and the Ancient Senses, ed. Shane Butler and Sarah Nooter . London: Routledge (in press).

Sean Gurd, “Social Functions of Ancient Drama,” in A Cultural History of Theatre, Vol. 1: Ancient Theatre, ed. Martin Revermann. London: Bloomsbury, 2017.

Sean Gurd, “Catch A Wave. Sound, Poetry, Philology,” in For the Love of Words: Responses to Werner Hamachers 95 Theses on Philology, ed. G. Richter and A. Smock. Lincoln; University of Nebraska Press, In press.

Sean Gurd, “Greek Literature and Philological Method,” Oxford Handbooks Online, 2015.

Sean Gurd, “Philology of the Cave.” In Allegory of the Cave Painting, ed. V. van Gerven Oei. Amsterdam: Extra City, 2015.

Sean Gurd, “Revision in Greek Papyri,” in Eikos: Probabilities, Hypotheticals, and Counterfactuals in Ancient Greek Thought, edited by V. Wohl. Cambridge: Cambridge University Press, 2014.

Sean Gurd, “Galen on ἔκδοσις,” in Regards sur la Seconde Sophistique et son époque - Perceptions of the Second Sophistic and its Times. University of Toronto Press: 2011.

Sean Gurd
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